This mural of Audrey Hepburn holds a special place in my heart. I painted it for a dear lifelong friend, right inside her home, about four meters high on the hallway wall.

Travelling interstate to create it was more than just a work trip for me, it was a reunion filled with laughter, shared memories, and good wine. The mural was my unique housewarming gift to her.

Her family was away for the weekend, making it the perfect surprise. When they returned, their reaction was unforgettable. Audrey’s timeless elegance now greets everyone who steps through their door, and she suits the space so perfectly it’s as if she’s always belonged there.

Today, Audrey gets dressed up for Easter, Christmas and Valentines Day adding a festive charm to the home. This mural isn’t just art, it’s a living memory, full of joy and friendship.

"Snow Horses" is a piece of my soul. I created it during one of the darkest chapters of my life, while navigating the emotional wreckage of a broken marriage. As everything around me seemed to fall apart, I turned to my art, the one place where I still felt whole.

This painting became my lifeline. I began it at the very start of my separation and completed it ten months later. Every brushstroke carried pain, resilience, and quiet hope. In moments where I felt I had nothing left, getting lost in the details of the snow, the horses, their motion, it all became a form of therapy. I wasn’t just painting a scene. I was painting my way back to life.

When it was finished, I knew I had changed and somewhat healed and I had grown. The horses strong and calm presence came to symbolize the rebirth of my spirit.

A serious collector later offered me a generous price for it. But I gently declined. To others, it may be a beautiful piece. But to me, it’s irreplaceable. My friends said, "You can always paint another one."

But how could I ever replicate the raw emotion, the sacred stillness, the silent battles that were fought inside me on that canvas?
"Snow Horses" is not for sale because some art heals you so completely, it becomes part of who you are.

This pencil portrait of my niece Ceylan was one of the early pieces I created in my twenties, during the years I began exploring portraiture more seriously. I remember falling in love with the quiet rhythm of pencil work and the gentle control, the subtle shifts of tone, the way each line built something intimate and real. Today, it hangs in the family home, and every time I see it, I’m transported back to a time when life felt simpler. My niece, once the little girl in this drawing, is now a mother and a successful author.

This pencil portrait holds a special place in my heart, it’s of my first ever nephew, (the first baby to make me an aunty). At the time, I was single and poured all my love and free time into bonding with him. This was also my very first attempt at a pencil portrait, marking the beginning of a heartfelt tradition: capturing each new family member in graphite. Since then, I’ve continued this legacy with portraits of my daughter, my son, and even my parents, each one a personal tribute, rich with love and connection.

This portrait was a heartfelt commission, a gift for a dear work colleague, celebrating the arrival of her firstborn. We had worked together for many years, and I wanted to honour that connection in a meaningful way.

Looking back, this piece holds even more value for me. It was one of my early paint portrait works (a time when I was just beginning to explore the delicate art of painting faces.) In many ways, it was both a gift and a practice, a turning point that helped shape my journey as an artist.

I painted this many years ago in 2006, shortly after moving into the home my family and I had designed and built from the ground up. I knew the space needed a striking, original piece to reflect the love and vision poured into creating that home. The Lady in Red became just that, a true labour of love.

She embodies originality and quiet strength. Though she can blend into a crowd, she naturally stands out, captivating those drawn to her grace and mystery. Tall, elegant, and enigmatic, she commands attention without demanding it.

Since then, I’ve moved homes twice, but this painting has always come with me. She remains the "OG" of my life’s work, a powerful reminder of where it all began and the enduring spirit behind my creative journey.

This painting was a special commission for my baby brother’s new home. His sanctuary to begin life with his wife and future children. It marked the first in a series capturing the mystic views of Istanbul at dusk. I was particularly drawn to the rooftops of Dolmabahçe Palace, silhouetted against the soft haze of the Sultanahmet Mosque in the distance. The challenge of painting the domed rooftops with perfect curvature pushed my technique and deepened my love for architectural forms. Today, it still hangs proudly in their living room, a daily reminder of new beginnings, family, and the warmth of a heartfelt gift.

I created this piece as an entry for the Lake Macquarie NSW Art Prize. The subject is a jetty I return to every time I visit my older brother. Sitting alone at the end of that jetty, surrounded by the lake’s calm, is a form of meditation for me (a space where I feel completely present and free). The woman dancing on the jetty symbolizes that sense of inner freedom and stillness. It was both an honour and a personal joy to paint something so meaningful for the art prize, and also with the thought that it might one day live in my brother’s Lake Macquarie home. Although it didn’t sell at the exhibition, it found its perfect place now proudly hanging in his living room, continuing the story it was always meant to tell.

This painting holds a place of deep pride in my home, it was the turning point where I began to take my art career seriously. Capturing my children (then just 4 and 9 years old) it preserves a radiant memory of a sunlit day spent at a park near Balmain, gazing over Sydney Harbour. That day was filled with laughter, warmth, and the comfort of being with a close friend who felt like family. The joy on my children’s faces, their playful connection, and the purity of that moment felt timeless. I knew then that this scene needed to be immortalized on canvas. It’s more than just a painting, it’s a living memory of sibling love and carefree youth, a piece that will always hang in our home as a gentle reminder of that perfect day.

As a lifelong admirer of Leonardo da Vinci, I felt inspired to explore his iconic portrait style through a modern lens, using myself as the subject.

This digital piece, crafted in Photoshop, became more than just a self-portrait. It became an intimate journey into who I am-the artist, the woman, the mother, and the daughter.

Though I’m not formally trained in digital art, I poured hours into capturing a raw, almost ethereal essence- layer by layer, detail by detail. While some may question the legitimacy of digital mediums, I believe art lives in the process, the intent, and the vulnerability behind the work.

This piece was an unveiling of my inner world, a tribute to classical beauty through contemporary tools. For me, it wasn’t just about getting it right, it was about getting it real.

In November 2018, I had the incredible opportunity to take part in a vibrant, multidisciplinary exhibition that brought together visual artists, dancers, singers, musicians, photographers, and designers. It was an inspiring celebration of creativity and expression.

This event marked the first time I exhibited my artwork on such a large scale. Sharing my pieces alongside such diverse and talented individuals was both humbling and exhilarating. What made it even more meaningful was the unwavering support of my friends and family, many of whom attended and cheered me on throughout the journey.

That evening wasn't just about showcasing my art, it was about stepping into my identity as an artist and embracing the path I was always meant to walk.

I was commissioned by my employer, Moss & Spy, to create a street scene of Queen Street in Woollahra, home to our boutique and design studio for submission to the 2020 Queen Street Art Prize. Capturing the charm of this elegant shopping precinct, along with the fine details of our storefront and the subtle reflections in the windows, was no easy task. The pressure of doing justice to both the street and the opportunity weighed heavily on me.

But this painting became more than just a competition entry. It symbolized 15 years of professional growth in this company and a deeper connection that has been a significant part of my career. I'm incredibly proud of the final piece, an artwork rooted in precision, gratitude, and memory.

Here’s a refined version of your story that brings out both the personal and broader meaning behind the piece.

This artwork was a special commission for a young couple who had just moved into their new home and wanted something deeply personal to adorn their walls. They requested a painting of Uzun Göl in Trabzon, Türkiye (a place close to their hearts and heritage).

Known for its breathtaking beauty, this serene lakeside village is one of the region's most beloved tourist destinations.

At the time, it was the largest painting I had ever attempted at the time, and I welcomed the challenge with open arms. But this piece also carries another layer of meaning.

It was created during the COVID lockdowns in Sydney, a period of isolation, curfews and restricted movement. While the world felt paused, this painting gave me a sense of purpose. It filled my days with creativity, connection and a way to support myself doing what I love, even in uncertain times.

This painting of my grandfather and mother holds a very special place in my heart. I created it in 1988 as part of my Year 12 HSC 3-Unit Art major work. Although it was many years ago, it still proudly hangs on my parents' wall today.

At the time, I knew exactly what I wanted to paint - my mother had recently lost her father, (a man I never had the chance to know or perhaps don’t remember). I wanted to give her something meaningful, a tribute to their bond. The piece depicts my grandfather watching over her from above, his image reflected gently in the water as she gazes into the lake, a symbol of eternal connection between parent and child, even across worlds.

After completing the piece, the school principal who was an avid art enthusiast asked to display it in her office until the end of the year. That simple gesture gave me an unforgettable sense of validation and belief in my path as an artist.

This portrait was a heartfelt commission created for a beautiful young family. The husband reached out to surprise his wife with a meaningful gift, a painted memory of their recent holiday to Fiji.

Together, we discussed the setting, composition, and the essence he wanted to capture. Using separate family photos, I carefully pieced together full body poses and expressions to mockup a visual story of their trip. Once he felt the concept truly reflected their spirit, I brought the portrait to life with brush and heart. The moment he presented it to his wife, she was filled with joy and emotion, a shared memory now captured forever in paint.

(apologies as the child's face was requested to be hidden)